Rhetorical Outline “Labyrinthine” by Bernard Cooper. Par. Brief description of what the author is doing. OneSentence Distillation of What the. Author is Saying. Bernard Cooper, “Labyrinthine” (). God help Bernard Cooper if this is how he felt at In the last paragraph of Labyrinthine—a shortish essay in which. That was how Bernard Cooper ended his insightful and thought-provoking essay “Labyrinthine.” Those words haunt me to this very day.
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Bernard Cooper and the Essayistic Sentence – The Essay Review
They are of such simple disposition and sweet demeanor. Where are they going? There is a silent framework within that phrase, which, when unmuted, reads as: I was resolute in this decision without fully understanding why, or what it was I hoped to avoid; I was only aware of the need to hide and coiper vague notion, fading fast, that my trouble had something to do with sex. Lavyrinthine, therefore, employs this sentence to call into question the validity of all of that.
It does not share the immediate berhard similarities. But I cannot see beneath their surface. In wedge-like fashion, they are outside sources lodged into the greater whole. Archives for posts with tag: God help Bernard Cooper if this is how he felt at That is precisely what is happening in this phrase—life is happening to Cooper.
The author as a young boy must acknowledge and learn to deal with his newly developing feelings and urges, a task that challenges his naive outlook. After the semicolon, the sentence shifts focus. The first section, which operates in assertions, is roughly three times the length of the second, which is concerned with unanswerable questions.
Unspoken rules and expectations of society present an immediate challenge to the child, who is only slowly learning the difficult truths about his own character. As readers, unable to make sense of what is even real in the essay, this sentence invites us to experience the piece completely confounded, which is the very way its author experiences life. I wonder what people are really thinking when you pass them on the street.
He spends the majority of it recounting particular scenes: Their cousin, on the other hand, seems to have a bit of a personality disorder. The third phrase in the list is related to these two as well, but in more of a cousinly way.
It is about the inability to actively navigate its labyrinth once aware that the labyrinth exists. Bernard Cooper and the Essayistic Sentence Max Rubin is the winner of the Essay Review Prize.
They are of the same structure: The sentence is a microcosm of its home. And what do we make of it?
But if it lost the awkwardness and clunkiness of its composition, it would also lose the essence of its identity. Closing the kitchen door behind me, I vowed never to leave home again. Lets work our way through it, starting with that first, longer, assertive section—the one before the semicolon.
To find out more, including how to control cookies, see here: The list contains coopeg phrases. And, just one generation back, all three share the same ancestor: By suggesting that maybe we cannot trust him, Cooper is actually being incredibly fair to his reader.
He is passive, bernars a victim of it.
But perhaps he was designed that way for a reason. It is fitting, then, that this section proposes that concept as a question: They are labyrnthine phrases.
Bernard Cooper and the Essayistic Sentence
At its root is an equative: It illustrates the possibility that Cooper has made into memories stories that are not his. Baseball in the Middle of Everywhere.
So sure, the phrase could be adjusted to fit in.